anthropology. star trek. adventures in food. anatomy. nerdisms. outdoor escapades.


 

beshitted:

anagrammaton:

knuckle tats say FOUC AULT

knuck tats saying POST, and on the other hand, having transcended the limitations of the form, STRUCTURALIST

myradish:

aullidodecisne:

hyggehaven:

Chinampa (Nahuatlchināmitl [tʃiˈnaːmitɬ]) is a method of ancient Mesoamerican agriculture which used small, rectangular areas of fertile arable land to grow crops on the shallow lake beds in the Valley of Mexico.

Sometimes referred to as “floating gardens,” chinampas were artificial islands that usually measured roughly 98 ft × 8.2 ft (30 m × 2.5 m).[1] Chinampas were used by the ancient Aztec [Aboriginal Peoples].[2] In Tenochtitlan, the chinampas ranged from 300 ft × 15 ft (91 m × 4.6 m)[1] to 300 ft × 30 ft (91 m × 9.1 m)[1][3] They were created by staking out the shallow lake bed and then fencing in the rectangle with wattle. The fenced-off area was then layered with mud, lake sediment, and decaying vegetation, eventually bringing it above the level of the lake. Often trees such as āhuexōtl [aːˈweːʃoːt͡ɬ] (Salix bonplandiana)[2] (a willow) and āhuēhuētl [aːˈweːweːt͡ɬ] (Taxodium mucronatum)[4] (a cypress) were planted at the corners to secure the chinampa. Chinampas were separated by channels wide enough for a canoe to pass. These “islands” had very high crop yields with up to 7 crops a year.[5]

photo:  Iraun permakultura (1), Aztec Chinampas model by Te Mahi, Photographer: Te Papa, © Te Papa (2)

Chinampas.

Indigenous technology

hello little lovely. 🌿

hello little lovely. 🌿

agunstreetgirl:

lyrangalia:

oakumura:

gnarly-art:

Lilo and Stitch presenting an accurate representation of Hawaiians perspective on luaus held by tourists. 

#what’s sad about this is that this is actually what Hawaiians had to do when the western culture took over #a luau was a sacred practice #until the westerners took the concept and had the audacity to change it into a time to stuff your face with food and put on grass skirts and coconut bras and dance the hula #and when they had these events, they didn’t even let actual Hawaiian people in #so to make money to take care of themselves, the Hawaiians were hired to work in these disgraceful events to clean up after the tourists like slaves only to make less than a buck #so good job disney for doing your fucking research and educating these people #sadly, this still goes on even until today and it makes me sick

"good job disney" my ass, good job CHRIS SANDERS

Let’s not credit just Chris Sanders for this. This happened because they cast actual Hawaiian Actors like Tia Carrere and Jason Scott Lee to play Hawaiian characters, and allowed the actors to have input into writing the characters’ lines. 

This sort of authenticity comes from accuracy and authenticity in casting choices. The fact that Chris Sanders as direct/writer facilitated that does not mean he gets credit for the actors’ experience.

This is why diversity and representation in media matters.

I continue to be blown away by the authenticity in that movie every time I watch it.

bobbycaputo:

HumanaePortraits Match People of Different Ethnicities With Their Pantone Color

Brazilian fine art photographer Angelica Dass‘ series Humanae identifies portrait subjects from around the world using the Pantone color system. Using an 11×11 pixel swatch from her subjects’ faces, Dass matches them to corresponding Pantone colors, creating an abundant and unique catalog of skin tones that reflects the world’s diversity beyond the categorizations we have long been confined to. We recently asked her more about the ongoing project.

aww this is lovely

never-mor:

A commission. So many little dime rat accessories! <3

Also I have a facebook page now! ~> (link)

Visit nEVEr-mor.deviantart.com for current commission information.

this speaks to me on every level of my rat-loving, clay-playing, miniature-loving soul

mesjid:

i love spring bc persephone gets to leave the underworld and be with her mom